Phrase by 'Kerry James Marshall'

Warning: We collect thousands of phrases from different public resources. We are not responsible for any incorrect content or inaccurately information related to the phrases we collect on our website. Famous phrases, proverbs, short phrases, phrases from kids. Phrases about friendship, love, cinema, family, humor, motivation, mindfullness, improvement, life and much more. Our only goal is to offer you these phrases as an inspiration so that you can make unique dedications, express your thoughts and emotions or share on your social networks. Enjoy our content.

The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.

Author: Kerry James Marshall - American Artist
  You , Want , Skin , Beauty


Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from black people who are that dark because it has always been stigmatised.

Author: Kerry James Marshall - American Artist
  People , Always , Black , Dark


People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.

Author: Kerry James Marshall - American Artist
  Music , Me , History , Culture


For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people.

Author: Kerry James Marshall - American Artist
  You , Time , Black , Eyes


Abstraction and representation are supposed to be going down two very different paths, one sociological and the other aesthetic.

Author: Kerry James Marshall - American Artist
  Two , Down , Aesthetic , Paths


The revision of any kind of established model is always a political act.

Author: Kerry James Marshall - American Artist
  Always , Political , Act , Kind


Progress has always been understood to be driven by exceptional white men. Whether it's the military victories we've achieved, the philosophical foundations that are the underpinnings of the nation, or our economic ingenuity, all this has been articulated through narratives of exceptional white men.

Author: Kerry James Marshall - American Artist
  Men , Nation , White , Progress


When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.

Author: Kerry James Marshall - American Artist
  You , Black , Art , Beauty


Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important.

Author: Kerry James Marshall - American Artist
  You , Think , I Am , Decision


At a certain point, you have to decide whether you'd be satisfied always acknowledging the beauty and the greatness of what other people create or if you want to be in the same arena.

Author: Kerry James Marshall - American Artist
  You , People , Beauty , Greatness


Websites don't have to be complicated