Phrase by 'David Leitch'
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If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll.
Author: David Leitch - American ActorYou , Trying , Rock And Roll , Suits
Spies go undercover. They take on different personas.
Author: David Leitch - American ActorGo , Take , Different , Spies
Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance.
Author: David Leitch - American ActorYou , Great , Character , Walk
Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked.
Author: David Leitch - American ActorYou , Yourself , Opportunity , Skill
Some actors have an affinity for dance, and they should explore it, train in it, and get good.
Author: David Leitch - American ActorGood , Some , Dance , Train
'Atomic Blonde' is about the characters' bigger existential crisis and their world. It's not so much the conceit of the spy game; it's more that being a spy sucks. But we're going to make it fun to watch.
Author: David Leitch - American ActorWorld , Game , Fun , Blonde
Coming from an action background, I always approach the action sequences in any script as kind of placeholders.
Author: David Leitch - American ActorAlways , Background , Action , Coming
In the stunt world, fights and vehicles are often two different disciplines.
Author: David Leitch - American ActorWorld , Two , Different , Stunt
The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.
Author: David Leitch - American ActorYou , World , Fight , Car
I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters.
Author: David Leitch - American ActorLook , Want , Understand , Action
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