Phrase by 'Nancy Kress'
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The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture that editor's attention enough for her to finish your story.
Author: Nancy Kress - American WriterYou , Short , Truth , Truth Is
Every story makes a promise to the reader. Actually, two promises, one emotional and one intellectual, since the function of stories is to make us both feel and think.
Author: Nancy Kress - American WriterFeel , Think , Story , Promises
As a writer, you must know what promise your story or novel makes. Your reader will know.
Author: Nancy Kress - American WriterYou , Know , Will , Story
Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
Author: Nancy Kress - American WriterFocus , Short , Character , Action
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things moving rapidly for the reader. Quick pacing is vital in certain genres. It hooks readers, creates tension, deepens the drama, and speeds things along.
Author: Nancy Kress - American WriterYou , Book , Better , Mystery
Conflict drives fiction; no one wants to read a four-hundred-page novel in which everything rolls along smoothly.
Author: Nancy Kress - American WriterEverything , Conflict , Fiction , Which
If you consistently write 'The sun set' rather than 'The sun sank slowly in the bright western sky,' your story will move three times as fast. Of course, there are times you want the longer version for atmosphere - but not many. Wordiness not only kills pace; it bores readers.
Author: Nancy Kress - American WriterYou , Story , Sky , Sun
How many times have you opened a book, read the first few sentences and made a snap decision about whether to buy it? When it's your book that's coming under this casual-but-critical scrutiny, you want the reader to be instantly hooked. The way to accomplish this is to create compelling opening sentences.
Author: Nancy Kress - American WriterYou , Book , Way , Decision
Questions that require answers are what keep readers going - and the place to start raising those questions is with your very first sentence.
Author: Nancy Kress - American WriterYour , Start , Place , Questions
The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.
Author: Nancy Kress - American WriterWork , Short , Problems , Friend
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